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https://w.atwiki.jp/touhoukashi/pages/5149.html
【登録タグ Stack V VENTEN 幻想浄瑠璃 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/v-lyrics/pages/135.html
ましーんめいでん [ TAG Alp-M E-I KyoudaiP Machine Meiden Miku Title] Music KyoudaiP/兄弟P Lyric KyoudaiP/兄弟P Arrange KyoudaiP/兄弟P Vocal Hatsune Miku The original title is "Machine Meiden." The possibility is that the creator mistyped "Machine Maiden," but it is not sure. Videos PVs Original version ■ Show/Hide Video http //www.nicovideo.jp/watch/sm1732883 http //www.nicovideo.jp/watch/sm1732883 Guitar recital version ■ Show/Hide Video http //www.nicovideo.jp/watch/sm30069013 http //www.nicovideo.jp/watch/sm3006901 Translations ■ Show/Hide Romaji 09-03-20 First Entry Trasnlated by BookPeople sawara nai kotoba ima no kimi niwa imi ga nai kara sukoshi urusaku suru yo kon-ya wa amari ni shizuka dashi migite no Caffee Cup utsumuite ru shisen no nai koe ga heya ni hibihte sore ga boku no mune wo kakimushiru tsugi-hagi no karada nara nadete umereba ih netsu wo ageyoh kokoro kara hayai kodoh modoru made tsuzukeyoh soh soh omou daijoubu na tsumori demo nani mo okkotoshite nai tsumori demo hora chirakatte iruyo ima wa miru hitsuyou nai keredo boku ga okiru mae asu no asa mimawashite goran yo hirottokun dayo kyoh wa katazuke naide oitoku kara kimi ga boku no mono naraba daite iyaseba ih sashinoberareta yubisaki ga tsumetai kikai no yohde tsugi-hagi no karada nara nadete umereba ih netsu wo ageyoh dakishimete yuka no namida kawaku made kanadeyoh soh soh omou [部分編集] ■ Show/Hide EnglishTranslation Machine Meiden 2009-02-12 First Entry 2009-03-17 09 24 47 (Tue) Last update Trasnlated by BookPeople Title Machine Meiden Lyric KyoudaiP Creator ulysses comment in PIAPRO It s a original piece of music, my first posting Lyrics as I will heal "the girl who is depressed so as to look like a machine" 『Machine Meiden（マシーンメイデン）』 触らない言葉 今の君には意味が無いから Words with a soft tone Cause they don t affect present you 少しうるさくするよ 今夜はあまりに静かだし I will talk in a bigger voice It s too quiet tonight 右手のコーヒーカップ うつむいてる A coffee cup in your right hand looks down 視線の無い声が 部屋に響いて The voice which doesn t see anything echoes in the room, それが僕の胸をかきむしる And it tears my chest つぎはぎの身体なら 撫でて埋めればいい If your body is patchy, I will fill up the gap by stroking it 熱をあげよう心から 早い鼓動戻るまで続けよう Giving my temperature to you with my soul I will continue it till your early pulse is restored そう そう思う Just so, I think so 大丈夫なつもりでも なにも落っことしてないつもりでも ほら If you believe you finished it well or dropped nothing, Look! 散らかっているよ 今は見る必要無いけれど It s in a mess Though you don t need to look now 僕が起きる前 明日の朝 Before I wake up, morning of tomorrow 見回してごらんよ 拾っとくんだよ Look about and pick up them 今日は片付けないで置いとくから I intend to put them without clearing them up today 君が僕のものならば 抱いて癒せばいい If you are my dear, I will heal you by holding you 差し伸べられた指先が 冷たい機械のようで Your finger-tip held out seems to be a cold machine つぎはぎの身体なら 撫でて埋めればいい If your body is patchy, I will fill up the gap by stroking it 熱をあげよう 抱きしめて Giving my temperature by holding you 床の涙乾くまで奏でよう Sounding my song till your tears on the floor dry そう そう思う Just so, I think so 『Machine Meiden』 Lyric ulysses Words with a soft tone Cause they don t affect present you I will talk in a bigger voice It s too quiet tonight A coffee cup in your right hand looks down The voice which doesn t see anything echoes in the room, And it tears my chest If your body is patchy, I will fill up the gap by stroking it Giving my temperature to you with my soul I will continue it till your early pulse is restored Just so, I think so If you believe you finished it well or dropped nothing, Look! It s in a mess Though you don t need to look now Before I wake up, morning of tomorrow Look about and pick up them I intend to put them without clearing them up today If you are my dear, I will heal you by holding you Your finger-tip held out seems to be a cold machine If your body is patchy, I will fill up the gap by stroking it Giving my temperature by holding you Sounding my song till your tears on the floor dry Just so, I think so Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-03-17 09 24 47 (Tue) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/476.html Original version http //nicosound.anyap.info/sound/sm1732883 http //www.nicomimi.com/play/sm1732883 Guitar recital version http //nicosound.anyap.info/sound/sm3006901 http //www.nicomimi.com/play/sm3006901 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=JkUCkDUCCpI [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=JkUCkDUCCpI (Information in this page is based on HatsuneMiku@Wiki) _
https://w.atwiki.jp/mrfrtech/pages/99.html
Market Scenario Parking is an important part of a transportation system. The ease of parking influences people to visit a place. It is also important and makes it easy to reach a certain destination. Parking management manages and uses all the sources available for parking the vehicles efficiently. The increasing urbanization is the main reason for the complications in parking. In COVID 19, the Parking Management Market deteriorated as in that time, the majority of the market got hit economically globally. All the construction projects and there was a restriction in the traveling sector which led to disruption in the market growth. Constant parking management solutions such as real-time parking indicators and developed signs decrease the wastage of the parking spaces by providing information to the customers about the parking place. It also increases the source more efficiently but different the parking spaces according to the price. A better parking solution would be helpful and would solve the parking issues by 20 to 40%, leading to increases in the infrastructure. Management policies can also decrease the demand for parking subsidies, increase travel options for non-drivers, provide financial savings to lower-income households, and increase housing affordability. The parking management deals with hardware such as traffic control devices, computer servers, etc. It becomes difficult for the parking space operators to use the new and innovative parking management systems, creating challenges for the market. The usage of innovative technologies and improvement in the mobility, housing and economy in smart cities is opening up a new door of opportunity for the Parking Management Market. The Parking Management Market is expected to hold $7 billion in 2023, and it will also grow at a rate of 12% CAGR between 2017 to 2023. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/3232 Competitive Outlook The well-known companies in parking management market are Kapsch TrafficCom AG (Austria), Siemens AG (Germany), T2 Systems, Inc. (U.S.), AMANO Corporation (Japan), XEROX Corporation (U.S.), SWARCO AG (Austria), Cubic Corporation (U.S.), INRIX, Inc. (U.S.), INDIGO (France), SKIDATA AG (Austria), among others. Segmentation The Parking Management Market is segregated by component, parking site, solution and vertical. Based on the component, the market is divided into software and service. Off-street parking and on-street parking are the variables of the segment parking site. The solution segment is bifurcated into Access Control, Security, Surveillance, Valet, and Revenue Management. By vertical, the market is divided into retail, transportation, hospitality, BFSI, healthcare, academia, government etc.; the service segment is anticipated to witness a high segment in the forecast period. The increasing demand is due to the appropriate pricing for all car parks by providing a view of the price rates. The one-site parking segment is expected to dominate the market in the forecast period due to the global adaptation of government authorities. Other segments of the market will also register growth in the forecast period. Regional Analysis The Parking Management Market is studied in prominent places like North America, Asia Pacific, Europe, etc. The continuous increase of vehicles in Canada and U the S is attributed to the growth of North America. It is creating the need for deducing issues like traffic congestion, and it is also essential to increase the growth of the market. In the next few years, it is expected that the Asia Pacific region will hold a large growth rate as the government of the Asia region is increasing the spending on the development of smart cities. The adaptation of automation technologies and development investment by the top IT companies to develop AI technologies will improve the market growth. Industry News The MoWiz app, a user-friendly parking payments platform, facilitates parking payments by allowing Curitiba residents and visitors to park and pay in zone-regulated areas from the convenience of their mobile phones. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/parking-management-market-3232 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report Fixed-Mobile Convergence (FMC) Market By Convergence Type (Device Convergence, Network Convergence and Application Convergence), Mode (Single-mode and Dual-mode), Component (Infrastructure and Service) Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/touhoukashi/pages/2638.html
【登録タグ A-One O TOHO EUROBEAT VOL.15 妖々夢 あき 広有射怪鳥事 ～ Till When? 曲 東方妖々夢 ～ Ancient Temple 越田Rute隆人】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/hkoyama/pages/13.html
Volume V / Solutions and Tests Exact SolutionsLinear Advection Circular Advection Advection-Diffusion Equation Burgers Equation Viscous Burgers Equation Traffic Equation Diffusion Equation Laplace Equation Potential FlowsIncompressible Flows Airfoil Flows Subsonic Flows Supersonic Flows Euler EquationsSimple Waves Shock Tube Problems (Exact Riemann Solver) Normal/Oblique Shock Waves Flow over a Cylinder Ringleb s Flow Navier-Stokes EquationsFlat Plate Boudnary Layer Hypersonic Heat Transfer MHD EquationsSimple Wave Solutions MHD Nozzle Flows General Solutions and ExtrapolationsGeneral Simple Wave Solutions Richardson s Extrapolation Accessaryvon Neumann Stability Analysis Error Analysis Test ProblemsSod s Shock Tube Two Interacting Blastwaves Einfeldt Strong Rarefaction Test Shu and Osher Shocktube Entropy wave Shock Diffraction Double Mach Reflection Supersonic Forward-Facing Step Flow ONERA M6 Wing NACA Airfoil RAE Airfoil Shock Reflection Brio and Wu (1984) Torsional alfven wave Orzag-Tang Vortex Shock Instability Problems Carbuncle Volume I / Governing Equations Part I Scalar EquationsLinear Advection Equations1D 2D 3D Burgers Equation and KdV Equation1D 2D 3D Diffusion Equation1D 2D 3D Advection-Diffusion Equation1D 2D 3D Advection-Reaction Equation1D 2D 3D Reaction-Diffusion Equation1D 2D 3D Poisson Equation1D 2D 3D Part II Systems of EquationsEuler Equations1D 2D 3D Polytropic Euler Equations1D 2D 3D Isothermal Euler Equations1D 2D 3D Shallow water Equations1D 2D 3D MHD Equations1D Polytrope MHD 2D Adiabatic MHD 3D Adiavatic MHDLinear Eigensystem Renormalized Eigensystem 3D Isothermal MHD Resistive MHDMagnetic Relnolds Number Eight wave formalism Navier-Stokes Equations1D 2D 3DReynolds Number Prandtl Number Dissipation Function Moment Equations Lagrangian fluid Stiff relaxation Geometrical Source Terms and Tips for Fininte Volume Discretization1D Cylindrical Coordinate 1D Spherical Coordinate 2D Isothermal DiskAngular momentum conservation form Volume II / Method of Discretization Finite Volume MethodNumerical Flux Finite Difference Method Finite Element MethodDiscontinuous Galerkin Spectral Difference Method Spectral Volume Method Operator SplittingGodunov Spritting Strang Splitting AccessoriesCFL number Artificial Viscosity Entropy fix Volume III / Numerical Flux and Riemann Problem Lax-Friedrich/Local Lax-Friedlich HLL ASUM RoeNature of Roe average Property U Entropy fix Positivity condition Exact Riemann SolverTwo Shock Approximation Volume IV / High Order Scheme Part I Temporal High OrderTVD Runge-Kutta High-Frequency dumping Part II Spatial High OrderMUSCL-type schemeTVD Limiterminmod double minmod van Leer limiter Superbee limiter van Albada limiter van Albada2 TVB Limiter van Leer s kappa Scheme PPM ENO/WENO RKDG CIP Volume VI / Techniques to get Steady Solutions Three time stepping Preconditioning Multigrid Iteration Rung-Kutta for High-frequency Dumping Dual timestepping Volume VII / Beyond the Divergence Free Method Eight wave Projection Constraint Transport (CT) Locally divergence free basis function for DG uncategolyzed topics SPH coding tipsfortran90 MPI
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Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the Wastepaper Management Market . The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for Wastepaper Management Market . Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. This research report provides an extensive examination of all the related segments present in the industry. Moreover, it throws light on the recent development as well as the opportunity is that is going on in the Wastepaper Management Market . Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-88268?pu Market Report Features Overview Of The Market Report The market research report offers a detailed quantitative as well as qualitative overview of the market for Wastepaper Management Market on the basis of area, category, product, competitors, and application. In terms of expanded coverage, the market report is further extended in terms of end-user market analysis and the comprehensive producer profile. Market Segmentation Of Wastepaper Management Market The market segmentation of the Wastepaper Management Market is done on the basis of technology, product type, application, distribution channel, and end-user. Geographical segmentation is also being done to get valuable insights into the Wastepaper Management Market . Geographical Analysis Doing the geographical analysis is very important to know about the broad feature of the market. In this section, the readers can get a comprehensive analysis of the Wastepaper Management Market based on the geographical location. This section throws light on the demand and sales output for the Wastepaper Management Market at the national and international levels. The study is being done taking into account some of the major geographic regions such as North America, Europe, Asia Pacific, South America, Middle East, and Africa. Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-88268?pu Market Key Highlights The market report on the Wastepaper Management Market is a summary of the current market situation for the Wastepaper Management Market . Moreover, the analysis provides information regarding the newly launched product and also the products that are to be launched during the forecast period. The study also includes minute details regarding market share, segment, trends, growth and forecast DS Smith Plc, Global Waste Recyclers Ltd., Republic Services Inc., Shanying International Holdings Co. Ltd., UPM-Kymmene Corp., Waste Management Inc.,. Company overview, latest trends, financials. Quince Market Insights Top Trending Research Report* https //qmi189135117.wordpress.com/2022/09/16/cumene-sulfonic-acid-market-size-industry-growth-rate-global-share-upcoming-trends-leading-players-products-and-services-overview-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/3-hexenyl-salicylate-market-key-findings-growth-prospects-and-size-by-country-top-manufacturer-expansion-plans-and-business-strategy-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/ethylene-glycol-monostearate-market-trends-growth-size-swot-analysis-opportunity-assessment-by-forecast-to-2021-drivers-and-applications-are-pertinent-for-sustenance-during-the-forecast-period-20/ Details Contained In The Wastepaper Management Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions 1.4.1 North America 1.4.2 Europe 1.4.3 Asia Pacific 1.4.4 South America 1.4.5 the Middle East and Africa Market Scope Market Segmentation by type, application, end-users and regions Market Size estimation Market Competition Key Market Leaders Conclusions The market research report offers a detailed study of the Wastepaper Management Market which include market shares, size and growth opportunities by applications, product types and geographic regions. Not only this but also the report also contains a detailed summary of the leading market players. The experts have also mentioned the market growth, threats, opportunities and risks. About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
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【登録タグ C Liz Triangle lily-an ポーカーフェイサー 妖魔夜行 少女綺想曲 ～ Dream Battle 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Market Scenario Wireless networking has made the process so much faster and more efficient, with IT administrators able to add more computing power and storage space. Edge computing is focused on enhancing data by performing data processing, reporting and collecting. Its centers are used as storage systems. It improves the efficiency of content delivery of the structure. It handles data processing control at the edge of a network as an alternative to keeping it in the warehouse. The rise in the use of Internet services with the rise in the number of devices has enlarged the demand for bandwidth-intensive applications. The use of digital services across many industries is changing the way data centers are positioned. By 2023 the Edge Data Center Market is predicted to grow by $1,740 million with a CAGR rate of 13% within the forecast period. The popularity of online streaming services is rising, helping the Edge Data Center Market grow globally. To meet up with the customer requirements, the servers need high-quality and high bandwidth services. The edge data center works similarly to the traditional data center but is smaller in size. The data centers are managed remotely and placed near the location they serve. It is a small figuring unit next to a 5G antenna, and it can be stretched to a room with 100-200 KW. These edge data center has facilities such as fire protection, great security systems and cooling system, and it provides great features such as uninterrupted UPS, storage systems, and board cooling; these features fuel the growth rate of the Edge Data Center Market. The pandemic covid-19 has impacted the economy globally, and it was a tough challenge for the demand for the Edge Data Center Market. The market got affected by the covid-19 due to the lockdown that was imposed in many countries. Many companies were shut down in order to maintain social distance, which affected the edge data center business. COVID-19 Impact on the Global Edge Data Center Market COVID-19 is an ongoing global public health emergency that has affected almost every industry, with long-term effects expected to affect industry growth over the projected period. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/4180 Competitive Outlook The prominent players in the edge data center market are – Rittal (Germany), Cisco Systems, Inc. (U.S.), Elliptical Mobile Solutions (U.S.), Huawei Technologies Co. Ltd. (China), Panduit Corp (U.S.), Anixter International (U.S.), Wave-2-Wave Solution Corporation (U.S.), Zellabox (Australia), Dell Inc. (U.S.), Silicon Graphics, Inc. (U.S.) among others. Segmentation The global edge data center industry has been segmented into components, service, organization size and vertical. By components •Solutions •Services By Solutions •DCIM and Analytics •Power •Cooling •Networking Equipment •Others By Services •Integration and Implementation •Consulting •Managed By Facility Size •Small and Medium Facility •Large Facility •By verticals •IT and Telecom •BFSI •Healthcare and Lifesciences •Manufacturing •Government •Automotive •Gaming and Entertainment •Retail and E-commerce •Others By regions •North America •US •Canada •Europe •UK •Germany •France •Rest of Europe APAC •China •Japan •India •Rest of APAC Middle East •UAE •Saudi Arabia •South Africa •Rest of MEA Latin America •Brazil •Mexico •Rest of Latin America Regional Analysis The Asia Pacific shows faster growth, and it is estimated to be the highest CAGR rate between the predicted period. Many online videos streaming on various platforms are expected to fuel the demand for edge data center solutions in this region. In 2019 Europe had a 10% share, and it is estimated to show 20% growth by 2026. Europe has strong production sectors that launched advanced technology such as 5G, robotics, and loT devices. With the rising adoption of connected devices, the European region is expected to show speedy growth. Industry News In 2021 Eaton had announced the acquisition of Cobham Mission Systems to position Eaton’s aerospace business well for the future. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/edge-data-center-market-4180 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report** Internet of Things (IoT) Market By Software (Data Management, Network Management), By Hardware(Sensors, camera), By Services (Manage Services, Professional Services), By Organization Type (Small and Medium Scale Business, Large Scale Business) View Similar Report** https //ictmrfr.blogspot.com/2022/03/email-encryption-market-size-enormous.html https //ictmrfr.blogspot.com/2022/03/smart-contracts-in-healthcare-market.html Cash Management System Market https //www.marketresearchfuture.com/reports/cash-management-system-market-8602 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. 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2008/7/22 インディアナ州 インディアナポリス 会場：Conseco Fieldhouse ＜写真＞ http //www.david-cook.org/PHOTOS-July-22-AI-TOUR-Indianopolis-t10874.html http //www.flickr.com/photos/lisatodd/sets...57606342439535/ ＜ニュース・インタビューなど＞ http //www.david-cook.org/Idol-Top-10-in-Indy-t10872.html （http //fox59.trb.com/） http //www.david-cook.org/Idol-singers-win-by-losing-themselves-in-the-music-t10871.html （http //www.indy.com/posts/10094） http //www.1070thefan.com/kravitzandeddie/podcast.aspx （インタビュー動画？うちではエラーが出て見れない～） http //news.cincinnati.com/apps/pbcs.dll/article?AID=/20080724/ENT03/307240003/1025/ENT referrer=NEWSFRONTCAROUSEL GID=RgUu/OcCsyoQJZ3NoWyDIRi2JleEuPxyVJLB56Zz51c%3D （良くないレビューのようです・・・） ＜総合＞ http //www.david-cook.org/7-22-Conseco-Fieldhouse-Indianapolis-IN-t10744.html （Rickey.org Live Blog） http //www.david-cook.org/Tuesday-7-22-Indianapolis-IN-American-Idols-Live-Tourri-t10790.html ＜ファンレビュー＞ http //www.david-cook.org/The-AI-concert-in-Indy-t10883.html http //www.david-cook.org/My-little-Indianapolis-experience-t10899.html ＜動画＞ ☆My Hero http //www.youtube.com/watch?v=iTVpC4yBZtM http //ca.youtube.com/watch?v=seq8wd7xjLI ☆BJ http //www.youtube.com/watch?v=rsP0mbBIsug http //www.youtube.com/watch?v=R5rTyuUXx2I (ダウンロード) http //www.megaupload.com/?d=FJ0CODWO ☆Hello http //www.youtube.com/watch?v=0Vom73sqphw http //www.youtube.com/watch?v=-B22iTJfm7o （ダウンロード） http //www.megaupload.com/?d=MYIO38FX ☆TOML (and Who boos safety?) http //vids.myspace.com/index.cfm?fuseaction=vids.individual videoid=39131694 ☆Don t Stop The Music - American Idol http //www.megaupload.com/?d=P41V4JD6 http //ca.youtube.com/watch?v=NfhohB0jECk
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るみなすぽいんと [ TAG Alp-L E-I JimmyThumbP Miku title] Music JimmyThumbP/ジミーサムP Lyric JimmyThumbP/ジミーサムP Arrange JimmyThumbP/ジミーサムP Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm4733827 http //www.nicovideo.jp/watch/sm4733827 ■ Show/Hide PV http //www.nicovideo.jp/watch/sm4999793 http //www.nicovideo.jp/watch/sm4999793 Translations ■ Show/Hide Romaji hitotsu no iro mo nai sekai de hate made todoku koe nara kitto surechigau hi mo nakunaru darou sono te de koko ni hitotsu no iro wo egaite hokori ni mamireta sora no saki ikeba kinoo ga mieta kotaeta hazu no nai kotae wo kimi ni tsutae ni ikuyo saa mejirushi wa doko? akari ga nakereba tadori tsuke nai nee? terashite aruku beki basho wo kowakute susumu koto ga deki nai kara kuichigau negai wo wasurete sono te de koko ni hitotsu no iro wo egaite nakushita hazu no nai hontoo wo kimi ni tsutae ni ikuyo saa mejirushi wa doko? kimi ga inakereba ashita ni ike nai ima nakushita kono kankaku demo tadoreba oitsukeru to suru nara arukou nanika wo kanjite hate made koko ni ashita wo tsunagu koko wa mada hitotsu no iro mo nai sekai de hate made todoku koe sura kitto kie yuku mirai ga matsu darou kono te de chiisaku hitotsu no iro wo egaita 2009-10-17 Checked by damesukekun 2009-10-17 03 42 Generated automatically [部分編集] ■ Show/Hide Translation Luminous Point 2009-10-17 First Entry 2009-11-30 15 25 20 (Mon) Last update Trasnlated by damesukekun Title Luminous Point Lyric I m in the world of no color It s with the voice reaching the furthest ends in it that we ll let the days we miss one another go And I paint one color here with this hand... I went over the all dusty sky and could see the day before I m leaving to tell you the answer I ve never responded Now Where s the sign? I can t arrive at the destination without light Please, light up the way I have to walk Cause the fear I have keeps me from going ahead I think no more of the conflicting wishes And I paint one color here with this hand... I m leaving to tell you the real I ve never lost Now Where s the sign? I can t go to the next day without you If I can trace and catch up with even the feeling I ve just lost I ll walk feeling something, to the furthest ends And to this place I connect the next day The world around me is still yet to have a color It s even the voice reaching the furthest ends in it that the future to vanish will wait for And I ve small painted one color with my hand Note This translation is by permission of the composer. 作者様のご了解のもと翻訳しました。 Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-11-30 15 25 20 (Mon) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/2436.html http //nicosound.anyap.info/sound/sm4733827 http //www.nicomimi.com/play/sm4733827 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=1Xn3gYJjACo http //www.youtube.com/watch?v=QyFnJHz5Uso (MMD PV) [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=QyFnJHz5Uso (MMD PV) http //www.youtube.com/watch?v=1Xn3gYJjACo (Information in this page is based on HatsuneMiku@Wiki) _